Second Detail, Snails Space, March 27th, 1995, is one in a series of five prints which documents an artwork that simultaneously functions as an installation, inspired by the organised chaos of Hockney’s own studio, in which canvases lined the walls and spread out across the floor, constructing a set in which visitors could enter into a world of colour. Second Detail offers yet another perspective of this fictive world, which is the subject matter of the whole series. From this perspective, rows of small cubes sprawl into the distance, mimicking blocks of houses in an urban metropolis. A tall black conical structure rises above this, echoing a factory chimney. Overall, Second Detail provides a glimpse at a world, constructed by Hockney, blown up to immense size. This artwork would later be transformed into an installation, playing on the idea of “painting as performance” as the artwork would become a silent stage set, inviting viewers to slow down, to a snail’s pace, and observe the beauty of the world around them.
Our ready-to-hang premium wooden frames, crafted from responsibly sourced oak or ash, feature unique wood grains for added character. The posters are printed on master's edition, museum-quality paper—off-white, uncoated, and ideal for those seeking world-class quality:
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Ready-to-hang: Includes hanging kit, ready to hang directly on the wall.
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Frame Material: Responsibly sourced oak and ash wood.
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Frame Measurements: 20mm (0.79") thick and wide, wider than the classic 14mm (0.55") frame.
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Paper Weight: 250 gsm (110 lb), thickness: 0.29 mm (11.4 mils), ideal for fine art.
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Paper Finishing: Matte, uncoated, natural white, archival museum-quality paper.
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Protection: Shatterproof plexiglass protects the poster.
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Sustainable Paper: FSC-certified materials or equivalent.
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Available Sizes: 15 sizes in inches (US&CA) and cms (rest of the world).
Learn about paper types and their unique textures and finishes here.
No minimum orders, printed and shipped on demand.
Discover David Hockney Framed Art Prints showcasing his bold use of colour and form.
