Hockney’s subject, Felicite, is executed in black and white, whilst the parrot perched atop her hand is vividly coloured with greens, yellows and reds, a bright contrast to the monochromatic sleeping woman. This etching was inspired by Gustave Flaubert’s A Simple Heart, in which Flaubert writes about the imagined life of a servant girl. In this novella, Madame Aubain inherits a parrot, Loulou, from a friend. But, on finding the bird a nuisance, she gives him to Felicite to care for. It is this narrative that inspired Hockney’s etching. Hockney has the ability to capture the subtleties of his subjects’ expressions. Hockney lends a distinctive energy to each sitter, capturing something innate to their characters, rendered even when his pencil captures them as they sleep.
Hockney claimed he began etching whilst studying at the Royal College: “In actual fact, I started etching there as I hadn’t any money, I hadn’t any paint”. Drawing and printing were to form the basis of his future art. After 1962, Hockney no longer drew self-portraits, but drew those who surrounded him.For collectors and admirers of Hockney’s landscape works, In Front Of House Looking West captures the artist’s distinctive interpretation of a familiar rural setting in a format designed for wall display.
Explore more David Hockney canvas print and discover additional artworks featuring landscapes, architecture and the artist’s distinctive visual style in our collection.
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The print measures 75 x 100 cm (30 x 40 inches), offering a substantial scale ideal for creating a focal point in any room with this museum-quality reproduction.
It is printed on Master's Edition archival paper, a museum-quality, acid-free, and FSC-certified material that ensures longevity and a luxurious matte, uncoated finish.
We print and ship on demand with no minimum orders, providing efficient fulfillment for this Henri Matisse fine art poster directly to your door.
With acid-free paper, this archival print is designed to resist yellowing and maintain its vibrant colors for generations, ensuring lasting quality.
Matisse employed Fauvist techniques, using unmodulated, vivid colors and simplified forms to evoke the warmth and light of autumn in Cagnes, prioritizing emotional impact over realism.
The paper features a matte, uncoated finish in a natural white hue, offering a luxurious texture that enhances the visual depth of this fine art reproduction without glare.
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